Saturday, 26 March 2011

Flower Girl


Just read this blog post from the Mod Cloth Blog, about this shop in NYC called Flower Girl. It's a business of flower arrangements, owned by Denise Porcaro.

Anyways, the shop looks so beautiful and organic. I love the cute little labelled bottles of dried flowers and the soft brown bare bricks. Looks like the best workplace ever:







images via Mod Cloth blog and Flower Girl tumblr. 

Thursday, 24 March 2011

Tra la la



Hang-a-man,
Tra la la,
Blue tongue sticking out,
Hilarious, hilarious!


Dripping blood,
First pale, then indigo.


They hung so many of us that,
Soon they ran out of trees.


All the trees,
They buckled.
Under the weight,
Of all our bodies.



Tuesday, 22 March 2011

Fuck you: Hollywood Dreams

This is the first in the late-March to mid-April (probably) "Fuck you" series. Just to, you know, express emotions, or whatever the hell you call pissing away precious time scrawling things in MS Paint.



Sunday, 20 March 2011

Don't tell me what to blog about

Okay, here is a quick rant:

Please don't fucking tell me what to blog about. I seriously mean it - it pisses me off.

I had a person tell me to blog about something else because they find some of my posts boring. Listen bitch - did I force you to read my blog? Are you paying me to write this blog?

Then what gives you the right to come here and tell me what to blog about? Seriously, fuck off.

I find it disrespectful to say such things. I mean, I'm sorry if my poems or whatever don't make you orgasm, but honestly, who gave you the right to walk up to me and tell me what to do? Look, I am not saying that you - my reader - do not have the right to find my posts boring, or that I expect you to read all of my posts line by line. But if you are bored, then just don't read it.

This is my personal blog, I can write whatever the fuck I want. If I want to write ten posts about vacuum cleaners, then I will. Hell, even if I convert this entire blog to a blog about vacuum cleaners, then I will. If you don't want to read it, then don't.

I would never say that to any of my friends about their blogs. I don't read their whole post if it doesn't interest me, but I would never tell them what to blog about.

Ok look, you are welcome to comment on my posts, and write about what you disagree with, but honestly, don't tell me what content I should put up because you are currently bored.

If you think you are suck a big maestro, then why don't you go and write your own content? Lets see how good you are at generating interest.

Honestly, for many posts it takes me a lot of time and effort to write them (like this, and this, and this), so you are just being disrespectful. Even posts that look quick and easy (like the entire January "Air Quotes" series) take a lot of consideration on my part, since I hope to share the passion which these things evoked in me.

So seriously, unless you have some interesting constructive criticism, don't bother to approach me. 

Wednesday, 16 March 2011

University Life Update (sad bastardly talkings)

I am just not engaged in anything this semester. I hate all my classes, I hate everything.

* * *

I don't know what I should do the next time I want to look "presentable" to someone. It's a small class presentation, not a whorehouse where I have to make myself up and try to get the highest bidder. 

Maybe I should just gift-wrap myself the next time? Maybe that will be presentable enough for them? And maybe a ribbon around my throat for a class hanging? Maybe that will be satisfactory enough to give me a 10/10?

* * *

There are some courses which do I like, but I think the professor probably hates me because, during class discussions I just sit and scribble depressed robots in the margins of the reading we are supposed to be discussing. 

* * *

I find myself so annoyed and irritated nowadays.

* * *

Many times I cannot even get up in the morning without dreading the day ahead of me. Sometimes I just wish I had died in my sleep or something, so at least I don't have to face another day. 

* * *

I think my place at uni should have gone to someone more deserving, someone intelligent. I am so dumb and stupid, seriously I can't even write a simple program. I mean I can if I want to, it's so easy. But I don't want to. I don't feel like it. I'm just wasting away. 

Thats why my place should have gone to someone else. 

* * *


Saturday, 12 March 2011

Some random music for you (with love)


Alex Wurman - Temple Grandin theme

Here is the main theme for the fantastic HBO movie Temple Grandin.

I just love this music, it's so simple and sort of sad, but exhilarating and exciting at the same time:



Note: will make it a point to write a review for Temple Grandin in my reviews blog by sometime next week.


Charles Harrison - Pretty Kitty Kelly

I came across this music from the HBO drama Boardwalk Empire (another great television show - must make it a point to review that too).

I think that show has made me build up a liking for old songs from the '20's. I thought this particular one was so sweet and wholesome:




Disney - A Whole New World

Good old childhood memoirs. It just suddenly struck me to include this song. I love it, love it, love it. Reminds me of my itsy-bitsey kiddy days:




Wednesday, 9 March 2011

What do you understand?



Tawnie:


What do you know? Nothing. The hopeless act of existing. Everyday simply moving through space, navigating myriads of useless emotions. The gulf between what your life is for you, and what your life is to others, as perceived in their own minds.

You could not ever understand this thing - this involuntary nihilism within, which erodes everything away, and leaves only empty shells and peeling skin.


Toniie:


What would I know? What do you know? This nihilism of yours - it is not involuntary. It is of your own choosing. What erosion? What unhappiness? You and your entire people - blessed with everything this world can produce, how could you ever claim to know anything about any condition?

I know true nihilism - that complete destruction of the soul. Hopelessness? You have a myriad of choices around you, and you choose hopelessness. Me - I have nothing. That is hopelessness. Everyday, simply living, with that thought that perhaps something might change. But with nothing but an endless cycle of disappointment, you are left with an empty void.

Please do not claim depression. Do not claim emptiness. You do not have the right to come here and celebrate your unhappiness in front of us. This self-destruction is a luxury you can afford. For us, depression is   integrated into our very lives.


Tawnie:

You think that with your poverty, with your lack of access, you alone feel pain? You alone suffer? Oh dear, you cannot even imagine the horror of it all. For you, it is simply disappointment in opportunity. Your poverty brings you your suffering - an external force which can be thwarted if enough effort is put in. I agree that it is not easy, but in comparison to my situation, your hopelessness can easily be cured. 

What I feel is beyond anything you can imagine. This comes from within. That is the worst - there is nothing coercing you, no one brandishing a whip across your life to make you unhappy. Yet you are unhappy. There is no one thing which directly points to the cause of this unhappiness, but this fact simply exists.

That is the worst bit - not knowing where it comes from. You simply hate beyond hate. Sometimes, I look at people, and without ever knowing them, I hate them. I can't... I can't think of things any other way. You won't ever believe this torture; these trails of lashes across me, everyday spreading like wires across my existence. 


Toniie:

There it is again, isn't it. Those dramatic words of yours. That fake pseudo-philosophy. That idea that you alone know, that you alone understand the nature of suffering. 

You standing there, in your comfortable shoes, your beautiful dress, your wonderfully curled hair, perfectly flaunted around your face. Here I am - bare feet, dusted skin, matted hair falling all over. My dress might as well be made of jute for all that it matters. 

How dare you claim that you understand suffering. This is suffering - when you cannot even eat. There is nothing to eat. There is nowhere to go. The constant grabbing and stealing that goes on. Your eyes are darkened, you cannot even see beyond any of this. 

You think you are of higher thought, that what you feel is beyond the physical life, beyond the situation around you. That it transcends from a mere human sense of suffering to something deeply spiritual. That your very spirit is broken and damaged because of conditions beyond your control. You believe that you are in such a state that you are above other human beings, that you have transcended beyond these murky clouds of foolish human thought, and have become an epitome of the true suffering of the soul.

Yet, you stand here, and after you have said this to me, you will crawl back into your large comfortable home, behind those walls, which protect you from the true horror that is the life of people like me. 

Here is what really causes a broken spirit - when you cannot even buy a cheap tablet for your mother, and watch her being slowly taken over by consumption. How could you ever be so cruel as to suggest that our suffering is external, that my sorrow is a simple experience which will extinguish soon enough.

You cannot imagine what it is like.

This artificial state of being of yours - where you think that you alone understand what it is like to be human - will shatter soon. Watch someone die in front of you. And then slowly see the horror grow, the horror at the realisation that you will never hear them again, or see them walking around. Then you will truly have a glimpse into what suffering is.

Sometimes, I feel like taking a hold of people like you and shaking you, violently, to jolt you into some sense of perspective. To make you feel something, some part of the terror of my existence.






Many times, when I am down, I feel terribly guilty. I don't think I have the right to be sad. 


And then I have this conversation in my head. 

Monday, 7 March 2011

There was a fantastic universal sense that whatever we were doing was right



San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something, maybe not, in the long run. But no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time in the world. Whatever it meant.  
There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs.  
We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark - that place where the wave finally broke and rolled back.

- Fear and Loathing in Las Vegas (film) 

A guitar army



My vocation is more in composition really than anything else 
- building up harmonies using the guitar, 
orchestrating the guitar like an army, 
a guitar army.

Jimmy Page

Saturday, 5 March 2011

I will shape myself into your pocket





RADIOHEAD - LOTUS FLOWER


I will shape myself into your pocket
Invisible
Do what you want
Do what you want

I will shrink and I will disappear
I will slip into the groove and cut me off
And cut me off

There's an empty space inside my heart
Where the weeds take root
And now I'll set you free
I'll set you free

Slowly we unfurl
As lotus flowers
'Cos all I want is the moon upon a stick
Just to see what if
Just to see what is
I can't kick your habit
Just to fill your fast ballooning head
Listen to your heart

'Cos all I want is the moon upon a stick
Just to see what if
Just to see what is
The bird lights float into my room



I've liked the lyrics of a song after such a long time. So refreshing to see some meaningful lyrics in music.


Image via link.

Wednesday, 2 March 2011

Art of Anatoly Fomenko (Анатолий Фоменко)

Anatoly Fomenko is a distinguished mathematician and a well-known specialist in the fields of geometry, Hamiltonian mechanics, calculus of variations, computer geometry and algorithmical problems in pattern recognition.

Fomenko also has a talent for expressing abstract mathematical concepts through artwork. Since the mid-1970s, Fomenko has created more than 280 graphic works. Not only have his images filled pages of some of his own books on geometry, but they have also been chosen to illustrate books on other subjects (including statistics, probability, number theory etc) by many other mathematicians. In addition, his works have found their way into the scientific and popular press and have been displayed in more than 100 exhibits in the Russia, USA, Canada, the Netherlands, India and much of Eastern Europe.

Fomenko description of his technique probably sounds unlike anything that most of us have ever previously heard or learned about drawing. He never starts with rough sketches, copies, or outlines. Rather the final drawing appears all at once as a clean copy. "Each mark is final, and my hand does not return to it again". 


(click on images for larger version)


SIMPLICIAL SPACES, CELLULAR SPACES, CRYSTAL AND LIQUID
India ink and pencil on paper, 43 x 61.5 cm.

The theme of this image is cellular spaces, which figure largely in the field of topology and can be formed easily by gluing together elementary bricks. The mental picture of a cell complex is of something pliable, soft, amorphous, flexible, and even animated – something like a deformed clay sculpture. In the image’s upper right-hand corner, an enormous, strange crystal is evolving, one with a complicated symmetry group. Indeed, a branch of group theory is the classification of crystal structures, and in this case we can clearly see just how complicated the intrinsic symmetry of a crystal lattice can be. (Virtual Math Museum)


THE APOCALIPSE (REVELATION)
India ink and pencil on paper, 48 x 69 cm.

Figures are strewn about in various stages of transformations. Objects – a radio, a teapot, a chessboard – have been cast around in the clutter. Even some mathematical ideas come onto play, such as notions of infinity. Deformations of human figures call forth the idea of homotopy and homeomorphisms. Even the clouds in the sky recall fractal images. (Virtual Math Museum)


THE TEMPTATION OF ST. ANTHONY
India ink and pencil on paper, 61 X 85 cm.

A great two-headed monkey races over the horizon beside a figure on horseback who is carrying a scepter and galloping over a sea of drums. To the left, side by side in a long line, figures sound their trumpets into the sky, while below another figure plays a keyboard. Seated on stereo equipment, yet another figure read a mathematics notebook while the central figure puzzles over the entire setting and smokes a cigarette. In a sense, this image was inspired by the medieval legend of the temptation of St. Anthony, combined with certain mathematical ideas and images. For instance, the trumpets in the upper left are based on funnel-shaped surfaces on which a hyperbolic metric is realized. (Virtual Math Museum)


DEFORMATION OF THE RIEMANN SURFACE OF AN ALGEBRAIC FUNCTION
India ink on paper, 44 x 62 cm.

The model shows a deformation of a Riemann surface of a special algebraic function, set in four-dimensional Euclidean space. 


HORNED SPHERE

Depicts an object that is well known in the three-dimensional topology. Clearly demonstrates one of the important facts in the theory of embeddings of two-dimensional surfaces in three-dimensional Euclidean space. It is well known that if two-sphere smoothly embedded in three-dimensional Euclidean space (ie non-self is embedded as a smooth surface), it divides the space into two open domains. One of them is homeomorphic to a three-dimensional ball, and another - the complement of this ball in space. Both these regions are simply connected. This means that any continuous closed path (ie a loop), which lies in an area continuously contracted to a point on it. (Fomenko Graphics)


DIMENSIONAL SURFACES IN THREE-DIMENSIONAL SPACE

On the right are visible areas; on the left, like the leaves of giant ferns, grow projective plane. In the foreground - the Möbius strip, in the form of crosscap. You get something like a sea animal. It is easy to see that crosscap actually represents a Mobius strip. It is located in space so that its border is a flat circle. Projective plane is obtained by gluing a disk with a Mobius strip along their common border. Therefore, the "fern" is associated with both a Mobius strip, and with the projective plane. (Fomenko Graphics)


 LOCALLY HOMOLOGOUS NON-TRIVIAL SPACE

Depicts a two-dimensional topological space (an infinite polyhedron).


RANDOM PROCESSES IN PROBABILITY 
Ink and pencil on paper, 33.5 x 50 cm

Endless rows of cubes, partially supported human-like figures. The distribution of points on the cube faces
is random and not a fixed distribution, as on normal dice.


GEOMETRY AND PROBABILITY
Ink and pencil on paper, 38 X 48.5

The image symbolizes the close relationship between geometry and probability theory in the field of  "spatial stochastic".


ANTI-DURER
Ink and pencil on paper, 44 X 62


THE REMARKABLE NUMBERS PI AND E
Ink and pencil on paper, 32 X 44


BUNDLES OF SPACES


HOPF BUNDLE AND A PARTITION OF THREE-DIMENSIONAL SPHERE


HOMEOMORPHISM, IT SUFFICES CLOSE TO THE IDENTITY



Thanks to the following websites for the images and information:
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